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Garth Ennis ist ein britischer Comicautor. Er ist vor allem durch seine DC-Vertigo Comics-Serie Preacher bekannt. Regelmäßig arbeitet er mit den Zeichnern Steve Dillon, Glen Fabry und John McCrea zusammen. Garth Ennis (* Januar in Holywood, Nordirland) ist ein britischer Comicautor. Er ist vor allem durch seine DC-Vertigo Comics-Serie Preacher bekannt. Garth Ennis. Kritik September CALIBAN – Odyssee ins Grauen. Garth Ennis und die Aliens! Kritik 1. Juli DIE GESAMMELTEN CHRONIKEN. Garth Ennis Presents Battle Classics | Titan Books | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Jimmy Regent muss sich schließlich den Intrigen seiner bösen Nachkommen geschlagen geben und wird weggesperrt in eine Gummizelle für komplett.
Ich bin ein großer Fan von Brian Vaughan. Genau so wie von Si Spurrier und Rob Williams. Wenn Garth Ennis auf dem Cover steht, erwartet man. noch einen Gast im Schlepptau. Zusammen mit Panini Comics' Steffen Volkmer reden Andreas, [ ] A WALK THROUGH HELL: Interview mit Garth Ennis. Jimmy Regent muss sich schließlich den Intrigen seiner bösen Nachkommen geschlagen geben und wird weggesperrt in eine Gummizelle für komplett.
Garth Ennis Video"Comics can do anything." The GARTH ENNIS Story Part 1
Like the two Troubles stories it was collected as a graphic novel in , but religious protests led to it being quickly withdrawn from sale, apparently on the orders of publisher Robert Maxwell.
It was later republished in by Vertigo. Ennis shortly after began to write for Crisis' parent publication, AD. He quickly graduated on to the title's flagship character, Judge Dredd , taking over from original creator John Wagner for a period of several years.
Ennis's most notable Dredd stories include Muzak Killer a pastiche of mainstream pop music , Emerald Isle a tongue-in-cheek story set in Ennis's native Ireland , and the twenty-part epic Judgment Day.
Ennis also contributed the surreal Time Flies with artist Philip Bond , dealing with time travel paradoxes and Nazis. Ennis' first work on an American comic came in when he took over DC Comics 's horror title Hellblazer , which he wrote until Steve Dillon became the regular artist during the second half of Ennis's run.
The creative partnership established went on to create Preacher. From to Ennis and John McCrea worked on another DC title, The Demon , during which they introduced super-powered contract killer Tommy Monaghan, also known as Hitman , whose own series would allow their creative partnership to continue when The Demon ended.
Towards the end of the initial Hellblazer run, Ennis and Dillon collaborated on a one-shot called Heartland , exploring one of the secondary characters of their run.
Several years after leaving, Ennis briefly returned for the five-part Son of Man story with artist John Higgins.
Ennis' landmark work to date is the issue epic Preacher , which he co-created with artist Steve Dillon. Running from to , it was a tale of a preacher with supernatural powers, searching literally for God who has abandoned his creation.
Mixing influences from western movies and religious themes, it drew plaudits for Ennis from all sections of the media; the Guardian newspaper voted one of the Preacher collections its book of the week , and film director Kevin Smith described it as "More fun than going to the movies.
Despite being lower profile than Preacher , Hitman ran for 60 issues plus specials from to , veering wildly from violent action to humor to an examination of male friendship under fire.
His work has won him a good deal of recognition in the comics industry, including nominations for the Comics Buyer's Guide Award for Favorite Writer in , , , and Ennis is also known for his lack of fondness for superhero stories and characters, the dominant style of the American comic book industry.
An avid reader of British war comics during his formative years, Ennis did not read superhero comics until his late teens, at which point he found them ridiculous.
So adding some fantasy superhero narrative, that has always annoyed me a little bit. The initial issue maxi-series was illustrated by Steve Dillon, who also did a issue series even illustrating it and co-writing an issue while Ennis briefly stepped down as writer which only ended when Ennis decided to change direction.
Instead of largely comical tone of these issues, he decided to make a much more serious series, re-launched under Marvel's MAX imprint.
In he briefly returned to UK comics to write the epic Helter Skelter for Judge Dredd — this series cannot be considered a success, with Ennis himself saying that there is "not a hope" to return to writing Dredd as he was generally not happy with his run.
I can't tamper with the formula; nor can I take the piss the way I do with superheroes," he said. In , an interview with Ennis was published in Writers on Comic Scriptwriting.
In , it was announced that Ennis would write a new creator-owned extended series titled The Boys , originally published by Wildstorm.
After six issues, The Boys was cancelled by Wildstorm. Ennis later explained that this was because DC Comics of whom Wildstorm was an imprint before it was disbanded were uneasy with the anti-superhero tone of the work.
The series was picked up by Dynamite Entertainment. But enough history. The stories are short—no gigantic arcs, no long warbles on drinking pints with your mates at the pub.
Put it another way: Dredd is where Ennis became Ennis. Everything we think of as Garth Ennis is learned at the feet of Dredd.
No wonder he took to it like a simile takes to a review sentence. So why bother telling you what you already know?
This is the story of a cowboy, his assassin girlfriend and their Irish vampire pal as they search the Earth to find God.
The story of Preacher is simultaneously as simple and as deep as a Steve Dillon face. Which is kind of the point of the book: a man who can utter the Word of God, but has trouble expressing himself.
A more precise analysis is that Preacher is what early Image Comics promised and never delivered: hilarious depravity and artistic insight for comics-reading adults.
Preacher makes a perfectly balanced pair with Sandman , the literary, somewhat uptight Vertigo title which is its opposite in so many ways.
Like The Simpsons or South Park , Preacher first became famous for its vulgarity, later for its evocative power. Preacher was the best pairing of Ennis and Dillon.
Lots of people misread Preacher as a saga extolling tough-guy masculinity. What first changed the Saint, when he was a mortal man?
Preacher is about leaving that behind. The series has aged, of course. No surprise there. The story is about growing up, and what we leave behind.
A hell of a vision. This was his attempt, and he knocked it out of the park. Hitman is the story of a super-powered assassin named Tommy Monaghan who lives in the Cauldron, the poor Irish slum of Gotham.
After landing this half-assed power lottery, Tommy decides to specialize in killing superheroes with his buddy Nat.
In the grand pulsating vein of Ennis wish-fulfillment personal fiction-suits, Tommy stands pretty high up there as an author avatar.
And what a splendid result. Hitman is the gone-too-soon Ennis story: verily, the John Belushi of the Ennisverse. Fam, there are scenes like this in every issue.
Ennis is working in a tradition which appalls him, using guest characters he hates, in a comic about a mafia hitman with superpowers.
And it works. Honest to god, it does. Not because Preacher is a lesser work, but because Hitman is a better Ennis , an Ennis who had to work for it.
It was said of Hicks that his best sets were when he had to play to annoyed or quiet crowds. Ennis operates according to the same principle.
Think about it: Ennis goes into a field where spandex is the rule, and makes a career of it. True, the man is always shouting at the audience, but what of it?
Some writers will never tame. You come to Ennis for his dark humor, the abandonment of good taste, restraint and decency.
You stick with him when he goes bleak and dramatic as he always does. Every time. You big, lovable hired killer, you. He can be found on Twitter at iamthemaster.
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Garth Ennis - Neue Rezensionen zu Garth EnnisDa ich in der ersten Rezension auf die für mich wesentlichen Punkte eingegangen bin und dies die direkte Fortsetzung bzw. Conclusion: All in all, this is a well written and definitelly thrilling comic book, I would highly recommend for people who love comics and also thrilling and exciting stories. Ich war sehr an dem interessiert was in den 80ern in der Comic-Szene los war. Was ist dir bei dieser engen Zusammenarbeit besonders wichtig? Ich habe mich diesbezüglich auch mit einem anderen Blogger ausgetauscht und wir waren letztendlich derselben Meinung. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.
Garth Ennis NavigationsmenüThe story of More info Butcher, the Boys' mysterious leader, is told at last! How did it all start you michel harrer curious you? Or it could be something absolutely awful. There's far too much at stake for anyone to go poking around the G-Mansion. Sätze über die ich drüberlesen musste. Bezüglich der Handlungsstränge gibt es nichts zu bemängeln, eine plausible, relativ kurz und doch inhaltlich starke Story, die in wenigen Seiten sehr gut erzählt und von den Protagonisten vorangetragen wird.
He has a fondness for soldiers—especially old, obsessed ones. The series Ennis made his own.
There had been about three memorable Punisher runs before he set his mind to work. Some of them quite good, but they might as well have never tried.
Ennis swallowed up Frank Castle, gobbled him up whole, and what was left over was all Belfast-imported. Ennis carved out what had always been waiting there.
He liberated the nihilism of the character. His Frank hated heroes with a passion. No admiration—just pure contempt.
His Frank cared about innocence, but had given up any pretense of doing real justice years ago. As Ennis himself once pointed out in an interview, Frank Castle is a serial killer in all but name.
I would not want that honor. As readers, we are fortunate that Ennis did. Ennis just really, really likes soldiers.
In this world of capes, we all are beggared for Ennis tales of Men At War. Ennis can write a bastard, a degenerate, a fool, a drunk, a cardsharp, a loudmouth and a fraud.
Here, Ennis has to write a Good German. Keep in mind the subject is still a World War I ace, which is a nice way of saying he was a serial murderer during the Great War.
How does a man like that square with flying for the Nazis? With difficulty, it turns out. Enemy Ace is another Ennis borrowing.
Ostensibly, the original Enemy Ace stories are about knights of the blue expanse. But the original tales are tinged with melancholy and war-horrors.
Sudden death, loss of friends, split-second massacres, the trauma of war. In the Ennis story, Von Hammer is brought out of his castle by an old war buddy, and flies for the Luftwaffe on the Eastern front.
He discovers what the Reich is, and does what is required of a hero. Americans love their superheroes, and our capes bear the marks of our country: idealism, slogans, practical action and overweening force in the face of the slightest opposition.
By contrast, British heroes are two hangovers away from being highwaymen. In the right light, every single popular British pulp hero of the last hundred years can be seen as a villain.
A cigarette-addicted, trench-coat-wearing conman who rides the synchronicity highway. First summoned into existence by Alan Moore in the pages of Swamp Thing , Constantine was a popular protagonist from the get-go.
But Ennis took a page from Moore himself, and stamped the character with his own preferences.
In other words, Ennis did with Hellblazer what he did with Punisher: took what already worked and made it better.
Go on, pick your favorite Hellblazer run. Absolut Hellblazer. The Moore version was an edgy know-it-all who walked on the wrong side of the law.
With Ennis, you had the illusion that you knew where Constantine headed on a Saturday night: tying one off, down at the pub.
The arch-bastard, a nasty piece of work, squire. This volume also features one the first pairing of one of the greatest partnerships in Western comics history: Dredd is where Ennis and the late, great Steve Dillon met.
Not since Lee and Stonewall Jackson paired up have two men ridden together to commit such sins of appalling moral turpitude.
But enough history. The stories are short—no gigantic arcs, no long warbles on drinking pints with your mates at the pub.
Put it another way: Dredd is where Ennis became Ennis. Everything we think of as Garth Ennis is learned at the feet of Dredd. AfterShock Comics.
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Namespaces Article Talk. Views Read Edit View history. Preacher , the AMC series adapted from his comic of the same name, premiered in Ennis is an atheist.
From Wikipedia, the free encyclopedia. Northern Irish comics writer. Ennis at a book signing at Midtown Comics in Manhattan.
Main article: Garth Ennis bibliography. MTV News. Retrieved 22 July Retrieved 22 November MTV Geek. Retrieved 25 April Garth Ennis. Garth Ennis bibliography.
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